艺术家怀孕女子回娘家途中失联10年

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锵锵2018:狮語画廊女性艺术家联展第六回SoftPower2018FemaleArtists'ExhibitionVI开幕Opening:2018.
7.
717:00对谈Lecture:20187.
715:00-17:00展期Duration:2018.
7.
8-2018.
9.
1思维风景:IngridLedent个展Mindscapes:IngridLedentSoloExhibitionLEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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反映:林延个展InvertedShadow:LinYanSoloExhibition上海狮語画廊LeoGalleryShanghai地址Address:上海徐汇区武康路376号武康庭内FergusonLane,376WuKangRoad,XuhuiDistrict,Shanghai200031,China.
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中英文双语讲座Chinese-EnglishBilingualLecture对谈时间Duration:2018.
7.
715:00-17:00对谈嘉宾GuestSpeakers:英格里德·勒登特IngridLedent林延LinYan对谈主题ThemeoftheTalk:被跨越的界限BoundariesCrossed讲座语言:中英文Language:Chinese&English地址Address狮語画廊·上海LeoGalleryShanghai上海徐汇区武康路376号武康庭内FergusonLane,376WuKangRoad,XuhuiDistrict,Shanghai200031,China咨询INQUIRY&预约讲座FORRESERVATION1、发送【讲座名+姓名+邮箱+参与人数】到狮語画廊邮箱:shanghai@leogallery.
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cn2、通过狮語画廊微信公众号,回复【讲座名+姓名+邮箱+参与人数】ForReservation,youmaysend[Name+NumberofApplicants+email]viaLeoGalleryWechatOfficialAccountoremail:shanghai@leogallery.
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cn展览前言狮語画廊上海空间将于2018年7月8日,隆重呈现"锵锵2018|女性艺术家联展",展览也是狮語画廊十周年重要活动之一.
"锵锵"是狮語画廊自2011年来为女性艺术家举办的系列群展,今年是SoftPower主题展的第6回,此次展出两位女性艺术家:英格里德·勒登特(IngridLedent)与林延的艺术创作与思考.
当代著名版画艺术家、国际版画联盟主席英格里德·勒登特(IngridLedent)挑战了传统版画的边界,她将传统的印刷技术与计算机印刷、视频和音频相结合,从而延展了其创作的范围.
"重复性"是印刷技术的特性,她长期运用印刷这一特性,但又不是简单的重复,而是将此生成为自己独特的艺术表现元素,她将传统版画的技法用于当代观念表达中,在印刷的过程中,这种"重复"被彼此分层,从而形成新的视觉形式.
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受到柏格森的时间观念的影响,"时间"也是勒登特的主题,她一直试图抓住"延续的时间".
"重复性"与"时间性"带来的感知,正如艺术家本人为此次展览主题特别创造的单词"Mindscapes"一样,"Mindscapes"这一并不存在的单词,既可视为是艺术家的一次"语言的游戏",又指向艺术家心灵不同状态的多重风景.
自九十年代起,林延就长期工作、居住在纽约,游走在中西文化之间,她试图串联起中西文化之间与古老东方的记忆与文化情感.
她的艺术蕴含着中国道家思想,来自于东方哲学的精神与意象表达,以传统书画中必不可少的材料"宣纸"为材质,她打破传统架上绘画和雕塑的界限,将宣纸从线、面、体三维空间进行重新解构进行创作.
层层幻化后的宣纸装置,最为简单的黑白两色,借由身处空间和光线释放出个性而神秘的动态姿态,展现其自由呼吸之感.
细腻柔软的宣纸成为全新生命体,诠释艺术家对于自然与文化、社会变迁动荡中的挣扎与生命力.
林延所有作品的主题灵感都来自于每年在中国的短暂停留,正如本次展览的主题"反映InvertedShadow"所展现的一样,如果说在中国北方,她更多的是亲近天与地,而江南湿润的空气让她重新认识生命中另一个不可缺少的自然资源——水.
作品中反复出现的主题是来自于空间与建筑、人与自然关系的探索,但她却刻意模糊着地域、历史、过去与当下.
在她自己看来,其作品最有价值、最有意思的是sensibility(感觉)和spirituality(精神性),如何"把握住那些摸不着的"这使其艺术作品呈现出独特与自由的气息.
女性的审美体验和视角、对于人生和生命的体味,构建了女性艺术家在创作中传递出的特殊符号,这两位女性艺术家都尝试从自身经验出发,将视线内移,在自我探寻的创作过程展现出个人化、心灵化的一面,这种来自女性艺术家独特艺术语言的自我追寻与展现也是狮語画廊在"锵锵"系列展览中期待观看并探讨的课题.
ExhibitionIntroductionLeoGalleryispleasedtopresent"SoftPower2018,AFemaleArtists'Exhibition",aspartoftheGallery'sten-yearanniversaryexhibitionseriesinShanghai.
Asthesixthexhibitionoftheseries"SoftPower",thatLeoGalleryhasheldsince2011,theworksandthoughtsofessentiallytwofemaleartists,namely:IngridLedentandLinYan,willbepresented.
IngridLedent,arenownedcontemporaryprintmakingartist,andChairmanoftheInternationalAdviserBoardatInternationalPrintmakingOrganizationAlliance,continuestoexpandtheboundariesoftraditionalprintmaking.
Shecombinesthelatterwithcomputerprints,videoandsoundpieces,whereanewhorizonforprintmakingcreationsrises.
Ledenthasusedreproducibility,asacharacteristicofprintingtechniques,nottomakeeditionsinasimpleway,buttogenerateuniqueartisticelements.
Alongherprintingprocess,withaqueouslayers,whererepetitiondissolvesintothewindowsofspatialtensionandcreatesorganicsilhouettes,timebecomesoneofthemainthemesinLedent'swork.
InfluencedbyHenriBergson'sconceptoftime,shehasbeentryingtoseizeDurée,astheperceptionbroughtbyreproducibilityandtimehasbeenimplicatedinthewordmindscapes,whichtheartistcreatedspecificallyforthethemeoftheexhibition.
Mindscapes,persaydonotexist,butcanbeconsideredasLEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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theartist'svisitationtosomesortofwordgame,asitreferstospecificmentalandemotionallandscapesoftheartist'sthoughtprocessandheadspace.
Sincethe1990s,LinYanhasbeenworkingandlivinginNewYorkCity.
OscillatingbetweenChineseandWesternculture,sherevisitshermemoriesandemotionsrootedinbothEastandWest.
YanwasstronglyshapedbyChineseTaoistthought,leavingherworktoothedinthespiritandimageexpressionofOrientalphilosophy.
Sheuses"XuanPaper",alsoknownasricepaper,anindispensablematerialintraditionalChinesepaintingandcalligraphy,asthemainmaterialinherwork.
LinYan'sworkisajourneythroughtraditionalpainting,sculpture,anddeconstructsofXuanpaper,alongthreedimensionsofline,surfaceandbody.
Compositionalelements,suchasthemultiplelayersofXuanpaper,letthespectatorindicateasenseoffreeingdeliberation.
Initssimplestblack-and-whitecolour,theinstallationexposesdynamicpostureinthesettingofspaceandlight.
Respectivefluctuationsinherworkevokeanexplicitrecollectionofthechangesofnature,cultureandsociety.
AlotofLinYan'sworkshavebeeninspiredbyhersteadyvisitstoChina.
Asindicatedbytheexhibitiontheme"InvertedShadow",ifshewastobeclosertoheavenandearthinNorthernChina,theninSouthernChina-orJiangnan,asthethickairhasgivenherthechancetorevisitwater,asafundamentalelementinherwork.
Therecurringthemetakesplaceintheexplorationalongtherelationshipbetweenspaceandarchitecture,manandnature,butwithnohistoricalorgeographicaltraces.
Inherview,themostvaluablepartofherworkisthelinebetweensensibilityandspirituality.
Nicelysummarizedinthequestionsheonceraised:"howtograsptheuntouchable".
Thisgivestheartistthefreedomtograduallytransitfromtheobvioustotheuntouchable.
Theaestheticexperienceandperspectiveaswellasthetasteoflifeoffemales,haveconstitutedspecialsymbolswhichfemaleartistsconveyintheircreations.
Boththefemaleartiststrytoproceedfromtheirindividualexperiencetomovetheirconcernsinwards,anddisplaytheirpersonalandmentalaspectsthroughself-discoveries.
ThiskindofpursuitofuniqueartisticlanguagesbyfemaleartistsiswhatLeoGallerywishestopresentandexploreinthe"SoftPower"exhibitionseries.
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艺术家自述ArtistStatement时间是我创作的基本主题,它也存在于过程之中.
我深受亨利·柏格森对时间的论述的影响,尤其是他关于"绵延"的哲学思考,这是一种将过去带入现实的绵延不断的记忆形态.
从我体验时间的方式出发,我强调了那些在可被测量的时间内所不能被理解为有形的事物,正因在时间的限制下,灵魂无法将经验理解为一种现象.
这是我所创作的图像的基础,是一个不透明的,重复出现的古老的形式.
在内容中,对过程的操纵、矩阵现象、受控制的巧合或偶然性也很重要.
时间也涉及到人体以及人体所采取的行动.
因此,我经常用我自己的皮肤和身体部位作为参考,以此将时间转译至视觉的维度.
——英格里德·勒登特Time,asitisalsoinaprocess,isthebasicthemeinmywork.
IamstronglyinfluencedbyHenriBergson'sideaoftime,especiallyhisphilosophicalthinkingabout"durée,"thecontinuouslivingofamemorywhichproceedsthepastintothepresent.
EmergingoutofthemannerinwhichIexperiencetime,Ihighlightwhatcannotbeinterpretedasconcrete,withinmeasurabletime,forthesoulisnotabletocomprehendtheexperienceasaphenomenonwithinthelimitsoftime.
Thisisafoundationformyimages,anon-transparent,archaictissueoffrequentlyrecurringforms.
Alsoimportantinthecontentareprocessesofmanipulation,thephenomenaofthematrixandthecontrolledcoincidenceorserendipity.
Timeisalsoinvolvedinthehumanbodyaswellasintheactionsitundertakes.
Therefore,Ioftenusemyownskinandbodypartstoreferenceandtranslatetimeinmorevisualaspects.
---IngridLedent如果说在北方我更多地亲近天与地,那么到南方-江南,湿润的空气让我认识了水,生命中另一个不可缺少的自然资源.
"林延:反映"展是秀美的江南对我在北方做的装置作品北斗七星系列第三颗星"天玑"的清影,也是我对水墨,现代人类对自然的态度的反应.
——林延IfIweretobeclosertoheavenandearthinthenorth,thenaftercomingtothesouth-Jiangnan,orthesouthoftheYangtzeRiverinChina,themoistairhasgivenmeaglimpseofwater,anotherindispensablenaturalresourceinlife.
Theexhibitionof"LinYan:InvertedShadow"inthenoblesouthisareflectionoftheinstallationdoneinthenorth-"Phekda"thatisthethirdstaroftheBigDipper,alsomyreactiontoinkaswellastheattitudeofmodernhumanstowardsnature.
---LinYanLEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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精选作品SelectedArtworks英格里德·勒登特在片段之中I石版画100x150cm2014IngridLedent,InaFractionI,Lithography,100x150cm,2014英格里德·勒登特思维框架I石版画与电脑印刷65x165cm2018IngridLedent,MindFrameI,LithographyandComputerprint,65x165cm,2018LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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英格里德·勒登特意识之流F石版画33x72cm2014IngridLedent,StreamofConciousnessF,Lithography,33x72cm,2014英格里德·勒登特序列III石版画75x56.
5cm2013IngridLedent,SequenceIII,Lithography,75x56.
5cm,2013LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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林延回家纸,木板20.
5x41x4cm2015LinYan,ReturningHome,Paper,WoodBlock,20.
5x41x4cm,2015林延回首纸,墨30x35x10cm2018LinYan,Remembering,Paper,Ink,30x35x10cm,2018LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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林延假石(局部)纸,墨147x72x7cm2018LinYan,ScholarRock(Detail),Paper,Ink,147x72x7cm,2018林延无风纸,墨177x60cm2018LinYan,NoWindToday,Paper,Ink,177x60cm,2018LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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艺术家英格里德·勒登特IngridLedent(b.
1955)英格里德·勒登特(b.
1955)1955,生于比利时布拉斯哈特1978,毕业于比利时安特卫普皇家艺术学院自由图像专业1979,就读于捷克斯洛伐克布拉格UMPRUM应用艺术学院,师从当代石版画之父RudolfBroulim1981,就读于比利时国家高等艺术类研究所1984-,比利时安特卫普皇家艺术学院石版画教授现工作生活于比利时安特卫普英格里德·勒登特(IngridLedent),1955年5月27日出生于比利时-布拉斯哈特,现任上海美术学院特聘教授,国际版画联盟主席.
1973-1978年期间,她在安特卫普皇家艺术学院学习自由图像专业.
在比利时版画大师高登(G.
Gaudaen)、范雷默特尔(W.
VanRemoortel)和范鲁斯梵(J.
VanRuysseveldt)等人的指导下学习木版画、石版画和蚀刻.
1978-1979年期间,她来到捷克斯洛伐克的布拉格,受鲁道夫·布洛林(RudolfBroulim)的指导,在应用艺术学院(u.
m.
p.
r.
u.
m)专攻石版画学习.
1981年在安特卫普获得国家高等艺术类研究所奖.
从1984年至2016年,担任比利时安特卫普皇家艺术学院版画系教授,并任纯艺术部门主任.
她是国家和国际比赛的评审团成员,在世界各地举办了个人和团体展览.
除了比利时,她还在奥地利、巴西、加拿大、中国、克罗地亚、捷克、爱沙尼亚、芬兰、法国、德国、匈牙利、日本、波兰、罗马尼亚、俄罗斯、斯洛文尼亚、南非、韩国、瑞典、乌克兰、英国、美国等国家展出过自己的作品.
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IngridLedent(b.
1955)1955BorninBrasschaat,Belgium1978GraduatedfromRoyalAcademyofFineArtsAntwerp,Belgium1979StudiedinUMPRUMinPrague,CzechslovakiawithRudolfBroulim1981GraduatedfromNationalHigherInstituteAntwerp,Belgium1984-ProfessorofLithographyatRoyalAcademyofFineArtsAntwerp,BelgiumCurrentlylivesandworksinAntwerp,BelgiumIngridLedentstudiedattheRoyalAcademyofFineArtsAntwerp,theUMPRUMinPragueandtheNationalHigherInstituteAntwerpwhereshereceivedherMFAinprintmakingin1981.
Since1984sheisprofessorlithographyattheRoyalAcademyofFineArtsAntwerp.
SinceSeptember2017sheisdistinguishedprofessorattheShanghaiAcademyofFineArts.
LedentisalsoamemberoftheCounceloftheInternationaleSenefelder-StiftunginOffenbach(Germany)andchairmanoftheInternationalAdviserBoardatIPOA(InternationalPrintmakingOrganisationAlliance)basedinGuanlan,China.
Shegaveworkshopsandlecturesatmanyinternationalorganizationsandinstitutions.
Herworkhasbeenexhibitedaroundtheworldinover20soloexhibitionsandmanygroupexhibitions.
Shehasreceived12nationaland14internationalawardsinthefieldofGraphicArtsincludingtheGrandPrixatthe3rdInternationalTriennialinPrague,the8thInternationalBiennialofDrawingandGraphicArtsGyr,theInternationalPrintTriennialKrakow,the5thSplitgraphicInternationalBiennial,etc.
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艺术家林延ArtistLinYan(b.
1961)摄影:EugeneNeduv2017林延,致谢否画廊PhotographbyEugeneNeduv2017LinYan,courtesyFouGallery.
林延(b.
1961)1961,生于中国北京1984,毕业于中央美术学院油画系,获艺术学士学位1986,就读于法国巴黎国立高等美术学院绘画材料研究室1989,毕业于美国布鲁姆斯堡宾夕法尼亚州立大学视觉艺术系现工作生活于美国纽约林延1961年出生于中国北京,中央美院油画系毕业后,1985年前往巴黎美院绘画材料研究室进修,后于宾州布鲁斯堡大学视觉艺术系取得硕士学位.
林延以宣纸为主要媒材,创造出具有建筑性格的装置和绘画雕塑.
宣纸不再只能是平面绘画的载体,而能被塑造为极富重量感和层次感的形态.
黑与白、刚与柔的并置如同虚实相容的太极,呼应中国传统哲学思想中的阴阳平衡.
以空间为起点、与建筑形式相结合、赋予极简主义以东方美学的纬度,林延近年制作许多大型的现地装置,作品庞大的气势与其近距离的触感、手工感形成微妙对比.
在包罗万象的当代艺术中,林延以最古老简朴的材料,简明有力的独特语言平静地表现出社会变迁动荡中的自然和文化的挣扎与生命力,美与创伤.
1988年毕业前即举办首次个展「林延:绘画中的太极」.
1994年在中央美院联展「泣、弃、契、弃气」中,林延以大型黑色装置表达对城市变迁的忧虑,随即展开长达十年的「黑色时期」创作.
1998年,林延策划「三代中国女艺术家:丘堤,庞壔,林延」联展,以女性角度呈现中国艺术百年来的变化,分别在纽LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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约、北京、温哥华三地展出.
近期重要展览包括:2016年「林延」、2014年「林延:不一样的宣」和「林延:空-气」、2013年「林延:知止」等个展,分别于台北诚品画廊、布鲁塞尔Officina、纽约天理文化中心、纽约熨斗大厦艺术公共空间展出,联展包括2014年美国布鲁斯博物馆「双城记:纽约与北京」和2012纸上艺术双年展等.
作品获纽约德意志银行、上海龙美术馆、北京中国美术馆等机构收藏.
LinYan(b.
1961)1961BorninBeijing,China1984GraduatedfromDepartmentofOilPainting,CentralAcademyofArt,Beijing,China(B.
F.
A)1986GraduatedfromAtelierofTechniqueofPainting,L'colenationalesupérieurdesBeaux-Arts,Paris,France1989GraduatedfromDepartmentofStudioArt,BloomsburgUniversityofPennsylvania,Bloomsburg,UnitedStates(M.
A)CurrentlylivesandworksinNewYork,UnitedStatesLinYan,livesandworksinBrooklyn,NewYork,grewupinBeijing.
Shefollowedhergrandfatherandmother'sfootstepstoPariscontinuingherstudiesinartin1985.
Ayearlater,shecametoUS.
Herfirstsoloshow"TaiChiinPainting"atgraduateschoolinfusedChinesephilosophyintoherown"constructingpaintings.
"In1993,shemovedtoNewYorkwithherpainterhusbandWeiJiaandtheiryoungson.
Taoistthoughtremaininherlifeandart.
Sheseeksthesimplestpossibleuseofelementsinherwork.
Thoughherformsarequiteminimalandmostlyquiet,theyarefilledwithcompleximpulsesandnuances.
ThefoundationofLinYan'slargesculpturalpapercollageisavarietyofhand-madepaperwhichhasbeenusedforChinesetraditionalpaintingandcalligraphy.
Thecrumbledlayersofsofthandmadepaperswithinkcreateaparadoxicalaffectofstrong,post-industrialfeeling.
InspiredbyoldBeijingarchitectureinhermemoryandindustrialelementsinherBrooklynhome,LinYanblurboundaries,embraceconflict,bringhistories,pastandpresenttogether.
Awareofthestruggleandresistanceintheworld,shebalancesthisrestlessnesswiththetranquilityofhermaterials.
HerimagesinvestigatetheinterrelationofChinesetraditionalpaintingandmodernistabstraction,andpostmodernappropriationandancienttechnicalrigor.
LinYan'sworkshavebeenwidelyshowninthegalleriesandmuseums,reviewedandfeaturedinNewYorkTimes,ArtNews,ArtinAmerica,ArtAsiaPacific,ArchitectureandArt,ElleChina,WomenofChina,WorldJournalandCCTV,amongothers.
HerworksareinpubliccollectionoftheNationalArtMuseumofChina,thePangXunqinMuseum,theChengduContemporaryArtMuseum,theMuseumoftheCentralAcademyofFineArtinChinaandDeutscheBankArt.
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展讯News香港狮語画廊|LeoGalleryHK绘画的故事:马树青个展PaintingOn&In:MaShuqingSoloExhibition艺术家Artist|马树青MaShuqing展期Duration:2018.
5.
24-7.
14狮語画廊xLittleTaiHang双人展:雅游LeoGalleryxLittleTaiHangPopUpExhibition:WANDERINSTYLE艺术家Artists|卓颖岚CheukWingNam,韩金鹏HanJinpeng展期Duration:2018.
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25-2018.
7.
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