艺术香港空间

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山水世界观:黄岩个展TheShan-shuiWorldview:HuangYanSoloExhibition开幕Opening:2018.
9.
917:00展期Duration:2018.
9.
11-2018.
10.
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主办Host:上海狮語画廊LeoGalleryShanghai地址Address:上海徐汇区武康路376号武康庭内FergusonLane,376WuKangRoad,XuhuiDistrict,Shanghai200031,China.
展览前言20世纪的人类史,使乡愁变成了超越东方、西方意识形态的共有财富.
山水文明就是这乡愁.
山水文明不仅仅是中国的三山五岳、五湖四海,这些指正中国地理、地貌特征的文明,也包括欧洲的阿尔卑斯山、非洲的乞力马扎罗山、北美的科罗拉多大峡谷、南美的安第斯山脉及全世界众多的河流湖泊.
发端于中国的山水精神与中国的"文人艺术",有着和19世纪、20世纪欧美的浪漫主义艺术、印象主义艺术、后印象主义艺术、新印象主义艺术、野兽派艺术、立体主义艺术、达达艺术、超现实主义艺术、抽象表现主义艺术、波普艺术、大地艺术、观念艺术等艺术流派互为因果的关系,变成一种普世的艺术世界观.
——黄岩狮語画廊上海空间9月将隆重呈现艺术家黄岩的综合性个展"山水世界观",与上海空间遥相呼应,狮語画廊香港空间同期推出黄岩的摄影专题个展"纹身乌托邦",这是狮語画廊与艺术家黄岩的三度合作,以期全景展现其创作生涯的艺术脉络与多元视角.
萌芽于唐代,兴盛于宋元时期,中国文人绘画从发源起,就呈现著游心物外,不拘格律的新思潮,深远影响着此后至今的中国画史.
而当下的中国艺术家,身处于社会、艺术、信息飞速发展与变革的时代,如何处理中西方文化碰撞交织的关系如何从传统走向现代如何回应当下社会……这些都是艺术家所无法回避的创作母题.
黄岩1966年出生于中国山水城市吉林,植根于中国传统文人绘画,他将中国传统绘画中的重要载体——笔、墨、纸、砚等材质进行当代性转换,将中国山水图式挪用至人体、摄影、甚至画布中,历经多种艺术媒材的山水创作和文人人物、花鸟绘画图式是黄岩治疗东西方人类文明史的病灶,也是重塑21世纪人类精神家园的艺术范本、标本之物.
他的艺术路径基于自身文化身份的强烈认同,这不仅是传统中国绘画精神的延续和再现,同时也是中国文人绘画风格演变的当代探索.
传统文人艺术在当代语境下的重新定义,就此串联起其创作的整体脉络.
如果说,他的乡愁是一种关乎中国精神、生命、艺术本源的感怀,但却早已超越了地域这一狭义的范畴,从更深处唤醒的是全球化语境中共同的文化乡愁.
正如其自述中所言,发端于中国的山水精神与中国的'文人艺术',有着和西方众多艺术流派互为因果的关系,从而变成一种普世的艺术世界观.
而这份文化乡愁既蕴含着对往昔世界的怀想,同时也是对精神家园、未来世界的渴望,这一漫长的精神文化旅程本身,就是一个不断追寻、重塑的过程,它最终指向的,是人类的终极归宿.
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ExhibitionIntroductionInthehistoryofthe20thcentury,"nostalgia"hasbecomeacommontreasureofmankindthattranscendstheideologicalconflictsoftheEastandtheWest.
ThecivilizationofShan-shui,whichliterallymeansmountainsandwatersinChinese,isthenostalgiaitself.
ItnotonlyreferstothecivilizationsoriginatedfromthemountainsandwatersinChina,butalsoreferstothosearoundtheAlpsinEurope,theMountKilimanjaroinAfrica,theGrandCanyoninNorthAmerica,theAndesinSouthAmerica,andthenumerousriversandlakesaroundtheworld.
ThespiritofShan-shuiand'literatiart'ofChina,havealreadybecomeauniversalworldviewofart,whichhasbeenincausalrelationshipswiththeromanticist,impressionist,post-impressionist,new-impressionist,brutalist,cubist,dadaist,surrealist,abstractexpressionist,popart,earthartandconceptualartmovementsacrossthe19thand20thcentury.
---HuangYanLeoGalleryShanghaiishonouredtopresentthecomprehensivesoloexhibitionofHuangYanthisSeptember-"TheShan-shuiWorldview",inlinewiththeothersoloexhibitionofHuangYan'sphotography"TattooUtopia"inLeoGalleryHongKong.
ItisLeoGallery'sthirdcooperationwithartistHuangYan,offeringaretrospectiveviewoftheartisticcontextanddiverseperspectivesofHuangYan'screativecareer.
BeginningintheTangDynasty(618-907AD)andflourishingintheSong(960-1279AD)andYuan(1271-1368AD)Dynasties,fromitsverybeginning,ChineseliteratipaintingshavebeenbringingforwardnewandunconstrainedwavesofthoughtsthathaveprofoundinfluencesonthehistoryofChinesepainting.
Chineseartistsofthecurrentgenerationoftencomeupwithquestionssuchas,howtodealwiththeintertwinedrelationshipbetweenChineseandWesterncultures,whilefindingoneselfinaneraofrapidsocial,artandinformationdevelopmentHowtotransformthetraditiontothecontemporary,andhowtorespondtothecurrentsociety.
.
.
Thesearethefundamentalissuesthatartistsneedtohandle.
HuangYanwasbornin1966,inaChinesecityofrichShan-shuilandscape-Jilin.
RootedintraditionalChineseliteratipaintings,heputswritingbrushes,inksticks,paperandink-stones,thecarriersoftraditionalChinesepainting,intoacontemporarytransformation.
Withtheappropriationsofmulti-mediasuchasclassicShan-shuipatternsonhumanbodies,photographsandcanvasesShan-shuilandscapesareshown.
Inadditionliteratifigures,flower&birdpaintingsarehistreatmentofhumancivilizationsintheEastandtheWestandamodelofreshapingthespiritualhomelandofmankindinthe21stcentury.
NotonlybycontinuingtraditionalChinesepaintingspirit,butalsoexploringtheevolutionofChineseliteratipaintingstyles,hisartisticapproachisbasedonhisstrongrecognitionofhisownculturalidentity.
Inthisway,HuangYan'sworksredefinetraditionalliteratiartinacontemporarycontext.
ItcanbesaidthatHuangYan'snostalgiaisakindofsentimentrelatedtoChinesespirit,lifeandoriginsofart.
However,theartisthasalreadytranscendedanyregionalrestrictions,andhasawakenedaculturalnostalgiathatissharedinaglobalizedworld.
AsinHuangYan'sstatement,theShan-shuispiritandliteratiartoriginatedfromChinahavebeenincausalrelationshipswithvariousschoolsofartintheWest,andthushavebecomeauniversalworldviewofart.
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Thisculturalnostalgiacarriesnotonlyayearningfortheworldlongpast,butalsoadesireforthespiritualhomeland,aswellasthefutureworld.
Aprocessofcontinuouspursuitandremodellingistheeverlastingspiritualandculturaljourneyitself,whichpointstotheultimatedestinationofmankind.
精选作品SelectedArtworks黄岩中国山水纹身一套01摄影95x120cm1999HuangYan,ChineseShan-shuiTattoo01,Photography,95x120cm,1999黄岩中国山水纹身一套13摄影95x120cm1999HuangYan,ChineseShan-shuiTattoo13,Photography,95x120cm,1999LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
com.
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黄岩纹脸-兰摄影150x120cm2004HuangYan,Orchid,Photography,150x120cm,2004黄岩一线山水蓝底版画76x57cm2007HuangYan,Line.
Landscape.
Blue,Print,76x57cm,2007LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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com.
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黄岩一线山水黑底No.
1布面丙烯50x40cm2003HuangYan,Line.
Landscape.
BlackNo.
1,AcryliconCanvas,50x40cm,2003黄岩点山水布面丙烯80x80cm2018HuangYan,Dot.
Landscape,AcryliconCanvas,80x80cm,2018LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
com.
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com.
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黄岩点山水布面丙烯80x80cm2018HuangYan,Dot.
Landscape,AcryliconCanvas,80x80cm,2018关于艺术家AbouttheArtist黄岩(b.
1966)黄岩是中国当代最具代表性的先锋艺术家之一.
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一九九四起用油画、水墨、摄影等多媒体的方式记进行创作,他的创作形式多元化,常在摄影里注入传统绘画和行为因素、在绘画里注入当代的因素,在水墨里将禅宗艺术与美国工业艺术结合.
自一九九七年至今曾在北京、香港、上海、伦敦、柏林、纽约、巴黎、阿姆斯特丹及米兰等地举办个展.
一九九八年至今曾参与多达三十余个国际群展,其中有:一九九八年在伦敦维多利亚阿尔伯特博物馆举办的《红色中国》、二零零四年在纽约国际摄影中心和芝加哥当代美术馆举办的《过去与未来-中国新摄影与录像艺术》、二零一三年美国大都会美术馆的《古法今用》水墨艺术展、广州三年展、成都双年展、布拉格双年展、以色列影像双年展、圣保罗影像双年展、挪威奥斯陆《堡》展、瑞士伯尔尼《麻将》展、《我们是你们的未来》莫斯科双年展、西班牙马德里ARTIUM当代摄影展、《龙的变身》纽约摄影展、威尼斯双年展等.
作品被世界各地很多重要的美术馆收藏.
例如:中国国家大剧院(中国)、中国美术馆(中国)、广东美术馆、大英博物馆、法国蓬皮杜艺术中心、维多利亚.
阿尔博特博物馆、美国哈佛大学美术馆、纽约摄影艺术中心、美国大都会博物馆及世界各地很多重要的美术馆、ArturWalther、LawrenceSchiller、ThomasKann、尤伦斯男爵夫妇(比利时)、希克(瑞士)、张颂仁(香港)、包陪丽(香港)收藏.
HuangYan(b.
1966)HuangYanisoneofthemostrepresentativeandpioneeringartistsinChinatoday.
Since1994,hehasrecordedhisideasandbehavioralartthroughoilpaintingandphotography.
Hisformsofcreationarediverse-oftenspreadingtraditionalpaintingmethodandbehavioralnarrativeintohisphotography,whilealsobringingnewcontemporaryfeaturesintohispaintings.
Since1997,hehashadsoloexhibitionsinBeijing,HongKong,Shanghai,London,Berlin,NewYork,Paris,AmsterdamandMilan.
Since1998,hehasparticipatedinmorethan30internationalgroupexhibitions,including"RedChina"intheVictoriaandAlbertMuseuminLondon(1998),"PastandFuture-China'sNewPhotographyandVideoArt"intheInternationalCenterofPhotographyinNewYork&theChicagoMuseumofContemporaryArt(2004),"InkArt:PastasPresentinContemporaryChina"intheMetropolitanMuseumofArt(2013),GuangzhouTriennial,ChengduBiennial,PragueBiennial,InternationalVideoArtBiennialinIsrael,SaoPauloBiennial,"WeAreYourFuture"MoscowBiennial,"ARTIUM"ContemporaryPhotographyExhibitioninMadrid,VeniceBiennial,etc.
Hisworksarecollectedbymanyimportantartmuseumsaroundtheworld,suchasNationalCentreofthePerformingArtinChina,TheNationalArtMuseumofChina,GuangdongMuseumofArt,TheBritishMuseum,CentreGeorges-Pompidou,Victoria&AlbertMuseum,HarvardArtMuseum,TheInternationalCenterofPhotographyNewYork,TheMetropolitanMuseumofArt,etc.
,aswellasArturWalther,LawrenceSchiller,ThomasKann,Guy&MyriamUllens(Belgium),UliSigg(Switzerland),JohnsonTsong-zungChang(HongKong)andCissyPao-Watari(HongKong),etc.
LEOGALLERYShanghai|376WukangRoad,XuhuiDistrict,Shanghai,China|+86-2154658785|shanghai@leogallery.
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展讯News上海狮語画廊|LeoGalleryShanghai香港狮語画廊|LeoGalleryHK山水世界观:黄岩个展TheShan-shuiWorldview:HuangYanSoloExhibition展期Duration:2018.
9.
11-10.
27开幕Opening:2018.
9.
9(Sun.
)5-7pm纹身乌托邦:黄岩个展TattooUtopia:HuangYanSoloExhibition展期Duration:2018.
9.
21-11.
15开幕Opening:2018.
9.
20(Thu.
)6-8pm狮語画廊·上海LeoGalleryShanghai上海徐汇区武康路376号武康庭内FergusonLane,376WuKangRoad,XuhuiDistrict,Shanghai200031,ChinaTues-Sun:11am-7pm(PublicHolidaysClosed)t+86-2154658785eshanghai@leogallery.
com.
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