Vgh.
ihhhhgghhh#hggh.
ihhhhg#ghiih.
ig#1.
Whileshep-herdswatchedtheirocksbynight,Allseat-edontheground,2.
'Fearnot,'saidhe(formight-ydreadHadseizedtheirtrou-bledmind),Bgh.
ihhhhgghhhhggh.
ihhhhgghhhhgVgh.
ihhhh#gghhh#hghiihhgghi#ih.
=iggh.
i#FThean-geloftheLordcamedown,Andglo-ryshonea-round.
'Gladti-dingsofgreatjoyIbringToyouandallman-kind.
3Bghhhhh.
igg#hhhhggh.
ihhhhgghhhhgE20Whileshepherdswatchedtheirocksbynight(NOBCno.
eg)I(Christmas)afterChristopherTye(c.
bfaa–hd)(arr.
RichardAlison,.
bfjc–bgag)53.
.
3'ToyouinDavid'stownthisdayIsbornofDavid'slineTheSaviour,whoisChristtheLord;Andthisshallbethesign:4'TheheavenlyBabeyouthereshallndTohumanviewdisplayed,Allmeanlywrappedinswathingbands,Andinamangerlaid.
'5Thusspaketheseraph;andforthwithAppearedashiningthrongOfangels,praisingGod,whothusAddressedtheirjoyfulsong:6'AllglorybetoGodonhigh,Andtotheearthbepeace;GoodwillhenceforthfromheaventomenBeginandnevercease.
'NahumTate(bgfc–bhbf)ThisparaphraseofLuke2:8–14appearedinTateandBrady'sSupplement(1700)totheirNewVersionofthePsalmsofDavid,andhastraditionallybeenascribedtoTate.
Itwastherst(andformorethaneightyyearstheonly)Christmashymn'permittedtobeusedin[Anglican]churches',andwassungtoanysuitablepsalmtuneincommonmeasure(8.
6.
8.
6.
).
'WinchesterOld'(I)wasincludedamongsev-enty-vetunesinthesixtheditionoftheSupplement,butonlywithHymnsAncientandModern(1861)diditbegintoousttherichvarietyofmelodiesthatthewordshadattractedoverthepreviouscenturyandahalf.
TuneII,widelysungintheUS,derivesfromthearia'Nonvipiaqueingiustidei'inHandel'soperaSiroe.
TuneV,'Cranbrook',nowbetterknowntotheYorkshirewords'OnIlklaMoorbaht'at',waswrittenbyaKentishcobbler(andnecom-poserofhymn-tunes),ThomasClarkofCanterbury.
'OldFoster'(VII)waspublishedinanorchestralsettingwiththewordsofPsalm47,butcirculatedwidelyinthegalleryrepertoryandinYorkshireisalwayssungto'Whileshepherdswatched'.
NOBCTunesIII,IV,andVI(notincludedhere)are,respectively,amajorversionofthetunecommonlysungto'Godrestyoumerry,gentlemen'(85:I),anearlyfugingtunebyJosephWatts(1749),andagallerysettingfromamanu-scriptofc.
1830.
Forperformancenoteseep.
55.
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iii=iiiiiiiih.
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iii.
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fi"ififififi.
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Whileshep-herdswatchedtheirocksbynight,Allseat-edontheB##44ii.
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ifiiiiiii@Thean-geloftheLordcamedown,V##h.
.
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.
ii.
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if(vv.
1–5)Thean-geloftheLordcamedown,V(Christmas)ThomasClark(bhhf–bifj)54.
.
20WHILESHEPHERDSWATCHEDTHEIRFLOCKSBYNIGHT(II/V)oftheLordcamedown,V##ieieieieirrtiei.
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.
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20WHILESHEPHERDSWATCHEDTHEIRFLOCKSBYNIGHT(V)2'Fearnot,'saidhe(formightydreadHadseizedtheirtroubledmind),'GladtidingsofgreatjoyIbringToyouandallmankind.
3'ToyouinDavid'stownthisdayIsbornofDavid'slineTheSaviour,whoisChristtheLord;Andthisshallbethesign:4'TheheavenlyBabeyouthereshallndTohumanviewdisplayed,Allmeanlywrappedinswathingbands,Andinamangerlaid.
'5Thusspaketheseraph;andforthwithAppearedashiningthrongOfangels,praisingGod,whothusAddressedtheirjoyfulsong:6'AllglorybetoGodonhigh,Andtotheearthbepeace;GoodwillhenceforthfromheaventomenBeginandnevercease.
'NahumTate(bgfc–bhbf)PERFORMANCEI(i)solovoiceandlute,orpharionand/orcittern,withorwithoutbassviol(tabulaturepartsareinNOBC);(ii)solovoiceorfourvoiceswithmixedconsort.
Alison'ssettingisalsosuitableforcongregationandorgan,whenitmaybetreatedasanormalmodernhymn-tune.
(Elizabethancongregationsnormallysanghymnsinunisonandunaccompanied.
)II,voicesandorgan.
V,voices,withinstrumentsadlib.
(seeIntroduction).
VII(i)choirandorganorpiano;(ii)choirandorchestra.
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